A potter's hands shaping wet clay on the wheel

• Who We Are

Made Slowly,
Kept for Years

Lamps, bowls, chairs and throws from small workshops, built to be used every day and handed down after.

• What We Think

A good bowl should know whose hands made it, pick up a patina from your table, and make an ordinary Tuesday feel a little more yours.

• How It Started

One Shelf,
Then a Shop

Shopcn started with a single shelf of pots bought straight from the people who threw them. Friends kept asking where each one came from. So we wrote down the names, drove back to the workshops, and started ordering a few more.

Today we work with more than 40 independent studios. The list is still short on purpose. Every lamp, chair and linen throw earns its place by being useful, well made and pleasant to live with.

A warm living room with a sofa in afternoon light
A wall of woodworking hand tools in a maker's shop

“Every chisel mark
is a decision
someone made by hand”

A woodcarver's hands with a chisel and fresh shavings

• How We Work

Bench, Crate,
Front Door

We visit the studios we stock. We stand next to the wood kilns, watch chairs being woven in paper cord, and ask how long a glaze takes to settle. If we can’t explain how something was made, we don’t sell it.

We look for solid wood, stoneware, brass and stonewashed flax. Joints you can see. Finishes you can repair. That is why every piece carries a 10-year craftsmanship guarantee, and why most of them look better in year five than on day one.

• Three Rules

What We Stand By

01 / RULE

Made by Hand

Each piece is thrown, carved, woven or spun by a named maker. You can see the trace of the work: a thumbprint in the glaze, a tool mark on the oak.

02 / RULE

Fewer, Better Materials

Wood from managed forests, clay dug near the kiln, linen grown in Flanders. We buy in small runs, so nothing sits in a warehouse waiting to be discounted.

03 / RULE

Built to Be Used

Nothing here is too precious for the dinner table. Bowls go in the dishwasher, chairs get sat in, throws get dragged to the sofa. That is the point.

Shelves of drying ceramics in a pottery studio
A bright living room filled with plants
A potter trimming the foot of a pot on the wheel

• Write to Us

Ask Us Anything

Wondering how a glaze was fired, or whether the oak table fits your room? A real person reads every email.

• Email the Studio •